Month: June 2012

HBO’s “Girls” Still Play with “Tiny Furniture” – Part V: What Is to Be Done?


30-march-bruni-6-blog480Continued from the Previous Post

There is a moment of truth (actually, two truths) at the end of "Tiny Furniture." Aura (Lena Dunham) tells her mother, "I want to be as successful as you are." And that's all it is about: not the Story, not the characters, not the message, not the art; it's about fame and recognition. If you ever watch her talk-show interviews, notice how she never looks at the audience. She doesn't care what their reaction to her is. She is intent on the celebrity host in front of her – always ready with some statement of admiration.

In response to Aura's (Lena's) admission, her mother (Lena Dunham's real mother) says, "Oh, you will be more successful than I am. Really, believe me." And that's, ladies and gentlemen, is a promise made by someone who knows a full power of her influence. Many mothers are ready to sacrifice their lives for their children, but only a few, have means to part the Red Sea of obstacles in the way of their offspring's march to success.

Some people, I am sure, will be surprised by the extent of this five-part "feature article." Well, what can I say? Nepotism is one of my themes. It happens everywhere and pretty much in the same manner, but an entertainment case is easy to breakdown into crucial components for everyone to understand.

Lena Dunham is not a talentless person. She is apparently an intelligent and well-read cinephile. Most likely, if I met her casually, I would enjoy talking to her. But she did benefited from nepotism unfairly – her output did not deserve all the noise around her. Maybe eventually she would arrive there anyway, with more mature and important material. Instead, she got ahead of other talented and brilliant young people, who are deprived of the ability to deliver their important messages to the world because they have no connections and no funds to produce their projects or hire PR firms.

And that's, boys and girls, where your already hopeless economic predicament becomes even more hopeless. The resources that could've been used for worthier projects (or jobs that could've been filled by worthier candidates) go to those who have connections. Some Internet writers predict "Lena Dunham's inevitable world domination," and they are absolutely correct – the connected people will always know how to work the world machine to their advantage.

So, 150 years after Chernyshevsky, I have to ask the same question, "What is it to be done?" Well, I am not claiming to be a revolutionary. As a matter of fact, I always say that Compromise is my middle name. You don't get to have any career at all if you don't play along at least to some degree.

So, the only advice I can render is this. If you have a real talent and desire to succeed, don't give up. Work hard and produce deliverable products; fight your fears and insecurities; build your own connections; keep people in your iPhone, even if you don't like them; knock at all doors and use whatever resources you can gather to help you reach your targets. I cannot promise that it will work, but if you don't keep trying, only lena-dunhams will always win.

The End

HBO’s “Girls” Still Play with “Tiny Furniture” – Part IV: What’s the Big Deal?


Tumblr_m2899wSXn01qzpqd1o1_1280Continued from the Previous Post

So, why "Girls" are lauded as unique, original, ballsy, even revolutionary?

Is the writing that astonishingly good? Well, for me good writing means story and character development; the more layers, the better. And as hard as I tried, I have not seen any of that in "Tiny Furniture" or in "Girls." In fact, the most fitting description of the situational comedy that came off Lena Dunham's printer so far would be sketches, sticky notes transplanted from a mac-book onto the proverbial silver screen. I've seen 90-second student movies with more story substance. Yet, what else can we expect from someone who experiences "a joy of writing." Let me give you a quote from Thomas Mann: "A writer is someone for whom writing is more difficult than it is for other people." But, of course, the great Noble Prize laureate was talking about REAL WRITING.

Is it the recognizable dialogue plucked straight from today's conversations? The use of the momentary phraseology that is on everyone's lips today and completely forgotten tomorrow? But I thought Diablo Cody has already been improbably celebrated and rewarded with an Oscar for that.

Is it the fantastic directing skills? Seriously? Some of the shot choices make me dizzy. Acting? Ms. Dunham's acting is limited to changing her real-life masks (you know, cheerful buddy one minute, snooty bitch – another), but acting out a scripted emotion – so far it comes off wooden. The whole hire-who-you-know method didn't work too well for the rest of the cast either, except for maybe Jemima Kirke, who is a natural.

Is it because the creator is 26? Well, we've been blessed by young filmmakers before. The brilliant and defiant Harmony Korine was 22 when he wrote astonishingly raw "Kids," 24 when he wrote and directed "Gummo," and 26 when his heart-breaking "Julien Donkey-Boy" came out.

Is it because the creator of the show is naked a lot? Apparently Ms. Dunham thinks it's groundbreaking – she talked about it in many interviews. But let me tell you: every cultured kid from New York, regardless whether her/his parents are artists or financial execs, have been exposed to truly revolutionary artists who used their naked bodies as artistic media: Matthew Barney and Marina Abramovic come to mind first and foremost. These people already broke the ground and the young creators who've seen them have stepped over the naked barrier.

Is it sex? Oh, excuse me, the awkward sex? Common, the show is on the cable channel that brought us Real Sex series.

And who can seriously claim that it's edgy, when we have "Homeland" and "Nurse Jackie" on Showtime?

So, you see, there is nothing special or unique about it. It's just a carefully designed media campaign. But it works, it always does. It managed to create the hype, to convince viewers that Lena Dunham, through her personal experiences, represents the entire generation. 3.8 million people watched the first three episode.

In reality, Lena Dunham's personal experience and power of imagination are so limited that every time the situtation goes outside of her immediate surroundings, she needs a co-writer. But it doesn't matter. That three-episode viewing statistic was enough for HBO to renew the show for the second season even before the 4-th episode aired. As Hannah's boyfriend says in that crucial third episode, "We are only as blind as we want to be."

To be Concluded