I Built This PrisonExcerpt: Ozark‘s Wendy Byrde Negotiates Her Compensation


I Built This Prison,  Part I – Etiology of Crime, Chapter 3 – Delusions of Entitlement and Misconfusion of Rewards:

“In the episode 1.6 of Netflix’s original ‘Ozark’, desperate for money Wendy Byrde charges at her boss with an attempt of hostile earnings renegotiation (she is a pushy bird that Wendy Byrde, so it goes with the character). She notes that the sales are up 43% compare to the same month the previous year, while the only business change that took place was her hiring. Hence, she deserves a bonus that would correlate her compensation with her value(‼). Specifically, 50% of the income increase. They haggle and at the end the boss agrees to the bonus that together with Wendy’s salary amounts to one-third of the additional profits.

Fiction, of course. But, if the employers were actually inclined to evaluate and compensate their employees based on their tangible contribution into their businesses, the negotiations like that would be a common place. And maybe they are… somewhere. But I’ve never really witnessed anything like that. Well, something of the kind – once, fifteen years ago. But that was it.  

Of course, these are not exactly “negotiations” either. Wendy gives her boss an ultimatum because she has an upper hand – there is no comparable supply of labor in that God forsaken bumblefuck locale. There is like literally no one to do the same job – not on a half-ass, or quarter-ass, or even one-hundredth of an ass level. And so, her boss is not rewarding her for her contribution, he yields under the pressure of unfavorable market conditions.

An unimaginable situation for NYC (and I’m sure the same goes for all industrial centers), no matter what your field of expertise is! Here, an employer – even the one that is afraid out of his mind to lose you – deep inside knows that if you walk, he can find at least Somebody to fill the void. You, on the other hand, may drown in the competition searching for another place.”

                                                                                                                          p.40

Off the Cutting Room Floor of I Built This Prison: Clip #3: The Methodical Corruption of the Soul


“When Nietzsche wrote, ‘God is dead’, he wasn’t really talking about God’s existence per se. On the contrary, he was commenting on the state of human morality, or rather lack thereof, in the society greatly affected by the industrial revolution… And even that is not exactly right: it was more about the pervasive preoccupation with the accumulation of wealth… For many centuries before, whether correctly or not, philosophers and writers presumed the corruption by money to be the rich people’s affliction. I mean, you will not find any peasants in Dante’s Inferno. What Nietzsche alluded to was that by his time everyone, regardless of the status or the class, got onto the money-mining wagon and, as a result, removed themselves from God: even those attending services, kept doing it as a habitual ritual, not because of some true faith:

‘They no longer even know what religions are good for and merely register their presence in the world with a kind of dumb amazement. They feel abundantly committed, these good people, whether to their business or to their pleasures, not speak of the “fatherland” and their newspapers and “family obligations”: it seems that they simply have no time left for religion, the more so because it remains unclear to he whether it involves another business or another pleasure…’

                        Fredrich Nietzsche

                        Beyond Good and Evil, Part Three: What Is Religious

Well, we can argue that instead of formulating that snappy motto about God’s demise amidst all of the ‘civilized’ industriousness, he should’ve written: We, the humans, murdered God through the distraction of morality. But he said what he said. And it created a circular effect: his audience believed him – literally, and it liberated many into further relaxation of moral codes. Because we hear what we want to hear, disregarding the true meaning of the words.

And there lies the danger of catch phrases. They become popular beyond their intended audiences. Once out there, among the millions, all ideas described by memorable slogans get separated from their origins, adapted to the users’ whims and needs, reinterpreted, reshaped, modified to the point of becoming opposite of themselves. Sometimes it’s an act of the intentional distortion, but mostly it happens without any deliberation on the part of the unthinking revisionists.

I mean, I was born into a vile society that was built on blood, hate  and expropriation masked as ‘liberation’ causes by the slogans of supposed freedoms. It’s the reason why I ran away, idealistically hoping to be delivered onto more virtuous planes…”

                        Deleted from I Built This Prison, Chapter 5: Omni-Present and Omni-Powerful