Who Is Your Favorite Avenger?


I cannot really call myself a comics fan just because I am familiar with the names and overall stories of the most famous characters.  That’s just popular culture saturation.  I know some real devotees, and those people can discuss different genres, know the names of artists, aware of obscure series, and dissect the aesthetics of comics with the same depth I apply to theater, cinema, or literature.  Yet, I do appreciate the idea of a superhero, a human with extraordinary abilities and skills.  In a sense, Ayn Rand‘s John Galt is a superhero.  Some of the stories written by comics’ authors are just as dark and prophetic.  And, I’ve seen the original drawings of the best creators: there is no question in my mind – it’s art. 

On the other hand, cinematic interpretations of graphic novels, the money-making machines of Marvel and DC Comics, rarely measure up to the original sources.  I don’t even remember when was the last time that I saw a comic-based movie on a big screen…  Until this summer’s release of Joss Whedon‘s The Avengers.

I’ve always had a weak spot for Joss Whedon’s creative powers.  His visions, both phantasmagorical and futuristic, yet so human, are among my guilty pleasures.  Amazingly, the man is capable of making all sorts of creatures sexy and soulful.  After all, he brought vampires with various personality traits into our lives way before the recent wave of the blood-sucking hype.  He is to current supernatural TV programming, what Nirvana is to contemporary Rock.  

Stephenie Meyer may list Shakespeare and Jane Austin as influences for her deplorable writing all she wants; and the story how the idea of love between a human girl and a vampire came to her in a dream on June 2, 2003 is a great PR ploy.  But isn’t it uncanny that Joss Whedon aired the last episode of Buffy the Vampire Slayer series on May 20, 2003.  Maybe the young Mormon wife and mother was simply missing Buffy’s heat.

So, because it’s written and directed by Joss Whedon, I went to see The Avengers…   And it was very entertaining, exhilarating, sufficiently layered for those who want to look beneath the surface, and accessible to those who just want to have fun – in other words, it was very Joss Whedon.  I mean, who else would be able to take the Incredible Hulk and not only accentuate the character’s original traits, but make him even more tragic, brilliant, powerful, soulful… and funny?

Yeah, the Incredible Hulk  as interpreted by Joss Whedon – oh boy, do I relate to that character, or what?  I mean, “That’s my secret, captain.  I’m always angry,” – it’s like he went into my head and read it on my cerebral cortex.  Always angry, but in control most of the time.  Well, in my case, practically all the time, trying to channel the frustration through writing, cursing at the toilet bowl, or stomping on a piece of paper; only wishing that I could unleash the anger for real.

When I just started this blog, I took time to explain in several posts my take on frustration and its management.  In one of them, I nominated John McEnroe as the frustration release hero .  And, he definitely is that, but if I were to expand my search pool beyond mere humans… Joss Whedon’s Dr. Banner/Hulk definitely takes the first prize – reserved, humble, unstoppable when angered by bad guys, and with a sense of humor regardless of his physical/mental state. 

Watching him handling Loki’s arrogance was probably one of the most satisfying therapeutic experiences I’ve had in a long time.  For a hot second I felt avenged.  Oh, how I yearn for an ability to do that to some people!  In fact, I think it would work for me even better than Darth Vader’s management style.

Quote of the Week: The Mechanics of a Tortured Soul


2012_03_10idlerwheel"The Idler Wheel Is Wiser

Than the Driver of the Screw

And Whipping Cords Will Serve You More

Than Ropes Will Ever Do."

                        Fiona Apple

 

 


Quote of the Week: Scully’s Wisdom


Images

Download 05 X-Files Theme (Dado Paranormal Activity Mix)

 

 

"Mulder, the truth is out there… but so are lies."

            Agent Scully, The X-Files

                    Created by Chris Carter

 

 

Elementary Business Literacy and Creative Integrity


Contract-signingSuffering from the recent loss of my dear kitty, nowadays I frequently find myself  opting for a lighter than usual entertainment fare.  I guess, at the moment, my ability to absorb sorrow and turmoil is at its limit.  This is not a good time for Lars von Trier.  So, at midnight on Saturday I idly let my remote to surf me to a sterilized version of Bridget Jones's Diary on some random non-premium cable channel.  

I must say that, when it comes to art, I strongly oppose any form of censorship.  This Film Is Not Yet Rated disturbed the hell out of me.  And I am offended by YouTube's barring the viewing of Marina Abramovic's art for users under a certain age.  For me, this is an equivalent to preventing teenagers from entering the Met. 

Someone like me couldn't possibly imagine that a benign movie like Bridget Jones's Diary would require alterations for a late-night showing on a "digital value" channel.  Of course, there is some sparse cursing (which, by the way, sounds much milder with the British accent), but other than that…  

Well, the false morality defenders found a way to shuck the most whimsical parts out of the movie, leaving only soppy husks.  Let me give you a little taste.  In the original, when Bridget quits her publishing job, she tells Cleaver, "If staying here means working within 30 yards of you, frankly, I'd rather have a job wiping Saddam Hussein's ass."  Snap!  The neutered version offers, "washing Saddam Hussein's car" instead. And that "home movie" of 4-year-old Bridget and 8-year-old Mark at the end – it completely disappears.       

The problem isn't only in the censorship as a principle.  The whole point of Helen Fielding's character, the innovativeness of her novel (which gave rise to the whole slew of books, movies, and TV shows – from Sex and the City to Girls) is in these feisty details.  So, when somebody butchers it like that – it's nothing less than a desecration of artistic prerogatives. 

Moreover, Miramax and Working Title Films, the production companies that brought the novel to the silver screen, are famous for the edgy, breakthrough movies.   The former, for example, is responsible for bringing Pulp Fiction into our lives.  Go on IMdB and see the complete rosters of these companies' impressive achievements.  

But here is how the money-making in movies works.  The production companies facilitate the creation of the product and in this case Miramax was even responsible for the US theatrical release.  But after the big-screen runs are over,  most movies get pushed through other distribution channels, usually handled by home entertainment divisions of big studios, far removed from the creators and the ideas of artistic integrity.  These companies cover DVD and Blu-ray releases as well as the television circulation.  While the alteration of DVDs has been ruled by the courts in 2006 as an "illegitimate business" and a violation of federal copyright laws, the decision doesn't apply to television versions.  Those can be mutilated.    

The question is, whether the moviemakers, who sign contracts, which give distributors rights to rape their artistic creations any way they like, do it knowingly.  Are they such whores that they would sacrifice their creative integrity and sell their children to bordellos of family-friendly television for an extra buck?   

Well, call me a hopeless idealist, but I don't believe that all of them are.  At least some of them do care.  (Hey, counting money is my profession, but I know that there are more important things in life than raking the dough.)  But what I can absolutely guarantee is that 99.99% of them don't have any understanding of business and legal matters.  They rely on their agents, managers, and attorneys to defend their interests.  Well, that's just silly. 

At the end of the day, the only people who have an incentive to protect the art are the artists themselves.  The elementary business education and rudimentary understanding of how their industry works would do them tons of good.  At the very least they should be able to ask the right questions and request the correct clauses to be included into the contracts before they ink their famous names on the signature lines. 

Quote of the Week: HBO’s The Newsroom


ImagesCharlie Skinner:    I am too old to be governed by fear of dumb people.

Will McAvoy:          I am not.

Charlie Skinner:    You are older than you think.  Don't learn that the hard way.

                                Season 1, Episode 1

                                Created and Written by Aaron Sorkin