Quote of the Week: Amidst Silly Shenanigans “The Blacklist” Sometimes Hits the Truth on the Head


Reddington and Tuzik"They are… part of a global conspiracy; a shadow organization that spans across every continent and has for the last three decades; consisting of leaders in world governments and the private sector.  Some call this group the Cabal.  The world you live in is the world they want you to think you live in.  They start wars; create chaos; and, when it suits them, they resolve it.  Cabal members will move more money in the next quarter than the World Bank will in the next year.  Their alliance affects a sea of change in every aspects of human life.  The value and distribution of commodities, money, weapons, water, fuel, the food we eat to live, the information we rely on to tell us who we are."

                                                            The Blacklist, episode 2.22

                                           Written by  John Eisendrath and Jon Bokenkamp

The Frustrated CFO's Note (to explain the post's title): It's impossible for an intelligent person to take the action-packed storytelling about spies and secret agents at face value, even if the writers manage to sneak in ideas and opinions that resonate with one's own political, social, and world views, which frequently happens on The Blacklist.  The very basis of a good thriller about things that are "known only to a few" is that shit is mostly made up.  Luc Besson once said that La Femme Nikita and Leon: The Professional were as much sci-fi creations as The Fifth Element.  What pushed The Blacklist into the shenanigans territory for me was the recycling of the "unknowing daughter of the KGB agent-mother" plot turn.  I guess it's difficult for J.R. Orci to shake off the Alias baggage.        

The Frustrated CFO Recommends: Black Mirror


Black_Mirror_1If you can stomach the naked truth about the world we live in, about your surroundings and yourself; if you are ready to actually see a clear depiction of the pile of unbearable scum that the human species has become, watch Black Mirror.  Pay attention and look hard  - it reflects Homo Technologiae  and its self-made surroundings at its realest.

And for those who don't look at the world through the pink glasses of delusional denial, what a joy to know that there is Charlie Brooker and his cohorts at Zeppotron!  What a gratifying experience to realize that there are like-minded people out there!  

Thank you, to everyone who has been working on this reality-fiction anthology and to those at Channel 4 responsible for its distribution.  And special thanks to the executives at Netflix who are continuously bringing narrow-niche products like this to their 60 million global subscribers.  

It has been reported that the show is  a big success in the US.  Well, I don't know if everyone understands that they are looking at their own reflections.  Nevertheless, this gives us a shred of hope, doesn't it?    

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Joke of the Day: Are You Fracking Kidding Me?


FrackingOne of the walls in the lobby of the building where my office is located is entirely covered by multiple monitors.  Together they work as one giant HD screen.  This is what techies call a video wall.  To the best of my knowledge its primary feed is CNBC.

Most days when I leave the office I see in passing Jim Cramer still going Mad about Money. But today I had to leave a little earlier and the only money manager ever to tell the general public not to use their retirement and college funds for stock-market speculations wasn't on yet.  

I have no idea what was on, but from the corner of my eye I saw flashing on the screen

EARTHQUAKES ARE LINKED TO FRACKING?

Eh, dah!  Are you fucking kidding me?  Is that even a question?  Who the fuck told these people that they could rape the Earth every each way and not to hear her scream?

I am glad, though, that it was there, hanging on the wall for a minute – at least someone in the prime media is talking about this abhorrent crime.    

Quote of the Week: TV Is Hot Now… May Be Too Hot for Its Own Good


TV CollageThe Frustrated CFO's Preface:

"Art is dead," declares Amy Poehler's hilariously delirious Art Dealer character in Old Navy commercial.  (No, I'm not quoting the Old Navy ad.)

"Culture is dead," I acknowledged the other day, heart aching.

"Except for TV," I got in reply.

Yes, TV (and here I include all of its forms – commercial broadcast, basic and premium cable/satellite, as well as streaming media) is the last place where NEW cultural achievements of quality still occur.  With their installment-based capital risks and an ability to get out of ventures at any time, television productions can afford to cater to narrower slivers of potential viewing audience and undertake some seriously daring creative leaps.  The extended storytelling real estate is also a plus.  As a result, TV has been attracting great writers, famous directors, and an array of first-class actors for the sake of producing great (some even better than great) entertainment of superior cultural value (in comparison to the slush all other contemporary arts and entertainments churn up).

However, there is a problem: The creators are in a permanent face-off with the collective mind of hundreds of thousands viewers fused together through the numerous social network outlets.  In isolation, average members of the TV audience can be kept engaged, surprised,  and wondering by watching the lives of their beloved characters unfold at a regular pace; but as a multi-headed guessing and predicting monster they need more, much more.  It's harder to keep the interconnected viewing machine hooked without sacrificing the storytelling quality; and by upping the ante, many shows (not all, of course – see my collage for reference) are running the danger of either pushing themselves into a treacherous territory of nonsensical and forgettable ridiculousness  or of running completely out of steam.

And it's not just me who sees the potentially suffocating aftermath of this trend.  Now, the quote (finally):

"The newest, hottest TV-storytelling model is all about fan service, and it throws so much plot at viewers that the result sometimes recalls that old video game of the firefighter rushing up and down a sidewalk, catching falling babies in a basket."

                                Matt Zoller Seitz for New York Magazine

                                May 18 – May 31, 2015     

Gender Equality: Taylor Swift and the Pussy-Cats


Yes, I watched the video and I laughed at the glorious Internet headlines.  Well, what can I say?

To me, the really sad thing about the delirious puppets featured in the Bad Blood video is their conviction that they are real.  Even sadder: because they generate 8-figure annual earnings, have some pull in their closed-off entertainment realms, and are constantly followed by TMZ – they think that they are badass, that they represent the ultimate “Girl Power.”  

Well, the truth is they represent nothing but silliness, artifice, and utter emptiness.  What are these little Girls are made of?  Digitally enhanced voices, and unmemorable music with the life expectancy of butterflies, and silly meaningless lyrics, and even sillier antics, and fake emotions, and amateur face-making, and PR-boosted media frenzy, and airbrushed images, and a whole bunch of CGI.  That what these little Girls are made of – not a single fresh thought, not a single lasting idea.  I mean, they hit such level of dilettante mediocrity in that video, it’s hard to soldier through it.

Even worse, they don’t realize that they are objects AND instruments of manipulations by the men with real power

You see, it serves the men’s ambitions quite well for this type of Girls to be celebrated.  The dominant gender wants their pedestrian, shallow, benign values to be imprinted onto general public.  These girlish marionettes are very important -their individual contributions into the dumbing of the masses is incredible!  But this video opus is something special!  It amplifies the Girls’ damaging effect: together they stay united – not as powerful human entities they think they are, but as a bunch of well-compensated Barbie Dolls on display.  Of course, all girls want to be just like them!  It’s the Toys”R”Us effect!    

And for the hetero-male audience?  It’s the same ages-old flesh peddling: hooker looks, non-existent clothing or skintight latex, seven-inch heels, and, as a bonus, the all-time favorite subject matter – the catfight.

The bitching kittens are not a threat to the gender disbalance at all.  On the contrary, with every step they make and every sound they utter, they throw away everything women were able to gain so far in the hard-fought struggle for equality, for the right to be treated like humans rather than members of a particular gender.

That’s why the male record executives and agents who HANDLE these Girls keep pushing their sissy, non-threatening projects so hard – the more of it is out there polluting every visible and audible media, the less there is room for something real and stirring!       

If these girly bitches really cared about Female Power, they would go and hide their painted faces under their huge pillows in their oversized doll houses.  Their withdrawal from the toolbox of mass manipulations would really benefit the women’s fight for equality. 

And you, Joseph Kahn, The Bride is coming for you.  Now, that she is done with Bill, she can find time to teach you a lesson or two.  Because, there is homage and there is cheap, uninspiring imitation.  And you wouldn’t know the difference even if it ruptured you with a katana.